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Speakeasy Jazz Club Torquay
Speakeasy Jazz Club was first formed, about 3 years ago, by a bunch of musicians who noticed there was a deficit of modern/mainstream jazz in the area and felt for the good of the community this had to be rectified.
At first the club was held on a very casual basis - jazz jam sessions - on a Wednesday evening at Hullabaloos in Babbacombe, who allowed us to hold the sessions free of charge in their function room. It then became apparent that more was needed to attract the general public, so professional local bands were invited to come and play on a fortnightly basis, progressing on to some big names from further afield. As time went by it was soon realised that we had to do more...... We started afresh in June 2005 at a new venue - The Farmhouse Tavern. We felt that it was an excellent venue offering ample parking, good disabled facilities and food if required (at reasonable prices), plus of course normal bar prices apply for drinks. In the past we have been entertained by Renato D'Aiello with Phil Lee, The Sheena Davies Quartet, Greg Abate, Digby Fairweather, John Critchenson, Julian Mark Stringle, Alan Barnes, Craig Milverton, Zoe Schwarz with Rob Coral, The Charlie Hearnshaw Quartet, Katya Gorrie Band, Martin Dale Quartet and others. The club is going from strength to strength and we have an excellent season 2006 planned. In January 2006 we introduced a membership scheme which offers benefits of reduced prices on concert nights. The club still operates on a Wednesday evening, 8.30pm to 11.00pm, twice a month. We hope you like the look of our 2006 programme!
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September 3rd Matt Wates Sextet
The Matt Wates Sextet - Matt says "I've been running this band for about twelve years now. The combination of two saxes, trumpet and rhythm section is a fairly classic one in jazz and has appeared many times in the last fifty odd years. It creates a lot of possibilities for an arranger/composer.
As a writer, I am basically trying to come up with material that will be fun to play, and to create a strong mood that will communicate itself well to an audience, perhaps even a non-jazz audience. I feel my best compositions are the ones that create and sustain a mood well.
If you're going to have a band, it seems to me you've got to have original material, otherwise you just end up sounding like a lot of other groups. I also feel it's important to keep adding to the repertoire so that it doesn't get stale. I therefore feel obliged to try to keep coming up with new pieces to play. About eighty percent of our repertoire is original, and the rest consists of "standards" from the great American songbook which I have arranged for the band. The great standards have a timeless quality although I hope that our interpretations sound fresh and up-to-date. In style, the sextet certainly resembles many of the great small bands of the 50s and 60s, such as those of Horace Silver and Art Blakey. We take inspiration from the past, but we are not trying to replicate it, merely to add in a small way to the music for which we have the deepest respect and love. I strongly believe that jazz has to swing. To me, this is what gives the music that beautiful human quality which attracted most of us to jazz in the first place. We play some Latin American style pieces and some funky things too, but the heart and soul of the band will always be straight-ahead swing. If it isn't swinging at least some of the time, I really don't feel it's jazz. I'm also trying to avoid some of the egotism that has beset the music since the 60s. I want a band that sounds like a band, not just a collection of soloists, and so we tend to keep the improvised solos fairly short, and punctuated with backing riffs. After all these years, the band is certainly sounding pretty tight. In general, I am trying to put back into the music some of the things that I feel have got lost over the years : melody, swing, and the idea that a band should not be just a battleground of egos. Above all, I maintain that jazz should be fun to listen to as well as to perform". Matt Wates, alto saxophone Martin Shaw, trumpet and flugelhorn Steve Kaldestad, tenor saxophone Leon Greening, piano Malcolm Creese, double bass Steve Brown, drums “This is quite simply the best British band in years “ Steve Voce, Gramophone Jazz
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